Tamron 28-75mm f/2.8 Di III RXD Lens (B&H, Amazon). These five lenses are just the tip of the iceberg when it comes to options for the Sony a7iii. Not only does this mean that zooms are invariably bigger than primes, but that shortcuts will often need to be made in terms of construction; frequently resulting in compromised image quality. With that said, though, there are wide angle lenses, and then there are wide angle lenses. Especially if you’re the kind of photographer who wants to sling a single A7III camera and lens over your shoulder and just head out to shoot – without being weighed down by any extra baggage. But if you are unlucky enough to end up with a dud (in practice that means decentering issues) be sure to send it back for a fully-functioning replacement. Manual focusing is smooth and well-dampened. Save my name, email, and website in this browser for the next time I comment. Of course, with its wide angle of view and impressive optics, the 24mm GM will also appeal to those who shoot landscapes, interiors, action sports, and street photography. This is to be expected. And for those trying to achieve a shallow depth-of-field, fast maximum aperture takes on a whole extra degree of importance when considering wide angle lenses. Zoom lenses are highly convenient. Beyond being an excellent choice of lens for landscape photography, then, the Batis 18mm f/2.8 is also particularly well suited to night-sky photography – where the triad of a fast maximum aperture, exemplary image quality, and a wide angle of view make for a truly winning combination. We updated a total of 15 prime lens reviews using the Sony A7RIV Sensor test results. The Sony A7iii has been my best photography purchase this year and I’ve captured some amazing moments since I’ve got it. The lenses you choose to keep in your kit need to be functional, practical, and the best that there is to give you the full potential of your camera. Some lenses render blurred areas smoothly. However, there are also several genres of photography where the fastest aperture settings of even a relatively slow lens are unlikely to see much use. However, you will want to double check your copy to make sure it is working right since those low prices don’t come with the best quality control. Even at relatively small apertures. After a few months of really testing out the camera, I’ve come up with a list of the absolute best Sony A7iii accessories that have helped me accomplish shoots in a reliable and professional manner. One reason that prime lenses are often a better investment than zooms is simply because they force the user to do the legwork necessary to get a better shot, rather than relying on a lazy change in focal length via a zoom. If you are looking for some help in deciding what your next lens or lenses should be you should check out this video where photographer/filmmaker Stefan Malloch showed off his five favorites. There isn’t much third-party competition at these focal lengths and native glass is always going to guarantee perfect focusing performance with your camera. As a general rule, the faster the maximum aperture a lens offers, the higher the asking price. And, as with any other kind of tool, each focal length is much better suited to certain tasks than it is to others. Although – as is customary with Sony’s lenses – it uses the focus-by-wire system. All images published at lensguide.io are either ours, authorized by the photographer, or published under creative commons commercial use license. The word bokeh refers to the quality of out-of-focus areas of an image. As for avoiding the common trap of zooming when you should merely be taking a step backwards or forwards, well, this ultimately down to the photographer. This a good start to the list, because I think everyone should pick up a wide-angle lens sooner rather than later. Today we are going to take a look at the best Sony full frame lenses as a whole. For others, though, it will be an unjustifiable and entirely avoidable expense. Tamron’s 17-28mm f/2.8 wide-angle zoom offers great functionality and beautiful optical performance at a highly competitive price. As here some background blur will likely be achievable; particularly when photographing a subject up close. The 50mm lens is what used to be called a “standard” lens, though perhaps a very slightly shorter focal length gives the absolutely most natural perspective. Great for landscapes; particularly well suited to weddings, events, documentary, and street photography; and passable for astrophotography, the Sony FE 28mm f/2 is simply a very dependable and hardworking prime lens that all Sony a7III users should consider keeping in their bag. 00 The most notable of these being landscape photography. Variable ND Filters Compared // Is PolarPro's PMVND the Best? Indeed, those drooling over the Sony 16-35 f/2.8 GM (above), but feeling decidedly queasy at the prospect of stumping up all that cash, should give Tamron’s offering very serious consideration. Covering focal lengths from very wide to extremely wide, Sony’s FE 12-24mm f/4 G lens is an excellent ultra-wide angle zoom. With that said, while we might imagine that quality control would be very stringently enforced, this lens is known to vary somewhat in performance between samples. Arguably 28mm is a much more convenient focal length for daily use than more extreme wide angles. Aside from this, though, there are a number of important considerations that anyone considering purchasing a wide angle lens for the a7III would do well to take into account. Want to photograph the Milky Way or other nightscapes? Top 7 Best Portrait Lenses for Sony a7III. Some lenses maintain a level of image sharpness not far removed from peak performance right through to their widest setting; while others become almost unusable if set to maximum aperture. There’s really not a lot about the Sony 16-35mm f/2.8 GM that is deserving of negative criticism. Sony 12-24mm F4 - Our choice; Sony 16-35mm F2.8 - Wide-angle lens; Sony 24mm F1.4 - Compact prime lens; Sony FE 85mm f/1.4 - Full-frame G Master telephoto prime lens; Sony 85mm F/1.8-22 - Budget; Sigma 70mm F2.8 - The best macro lens; Sony 100-400mm F4.5–5.6 - High-end telezoom for professional use As the range of wide angle lenses available for Sony’s fantastic Alpha 7III Mirrorless cameras rapidly expands, the task of narrowing these down to a definitive first choice becomes ever more difficult. If you start shooting details at a wedding, food, product, or anything else that may require getting a little closer than normal you will need a macro lens eventually. Image stabilization is almost essential in telephoto and macro lenses if the user is to avoid camera-shake. Other than that, the Sony 50mm F1.8 is definetly the best budget portrait lens for the Sony A7III. Best Budget Lenses for Sony A7III: Our Picks 1. And for a little more investment, Sony’s range of pro-level G-Master lenses brings top quality, fast-aperture, wide angle zooms into reach. Rokinon 50mm F1.4 Lens for Sony E Mount This Rokinon 50mm lens is a great budget option for the A7iii camera. The ExpertShield Glass Screen Protector is the perfect Sony a7iii accessory, as it diminishes the worry of your glass screen bubbling up under your screen protector. Of course, 12-24mm is a pretty extreme range, and will be of only limited use to most photographers. 2. And while the 12-24mm follows the bulk of Sony’s lenses in being of the “focus-by-wire” variety, manual focus action is nonetheless satisfying and precise. For obvious reasons, a lens that produces smooth bokeh is usually more highly prized than one that does not. Here a deep depth-of-field that sharply renders both background and foreground in splendid detail will be much more desirable. In fact the 16-35mm f/2.8 is considerably more expensive than the FE 12-24mm f/4 (above), despite offering a shorter angle of view. Best Macro Lenses for Sony a7R III. Just keep in mind, though that once the novelty of the visual effect produced by an extreme wide angle lens has worn off, you may well find yourself wishing you’d gone for something a little closer to a normal human perspective; such as a 35mm lens for example. Categories: Filters, Lenses Tags: Sony Last updated about 11 months ago // Originally published about 11 months ago Sony FE 50mm f1.8 Lens. The one noticeable exception being an LCD focusing scale for use with its (focus-by-wire) “manual” focus ring. True, you don’t get image stabilization with this lens. What’s more, the Tamron is sturdily built and fully weather sealed (although precisely how it measures up to the GM on this front is not something we can realistically afford to test). As zooms are effectively several lenses in one, manufacturers need to pack in a lot more in the way of optics. So a diaphragm setting that might blow the background out to a pleasing blur on a 50mm standard lens could leave much of the background relatively sharp and recognizable when used on, say, a 20mm lens. However, if we are forced to nitpick, it should be mentioned that the 16-35mm f/2.8 lacks built in image stabilization. Just as well, then, that the majority of images you shoot with this lens will likely be sharply focused from foreground to infinity – meaning that you simply won’t notice any bokeh anyway. Indeed, photos shot with this lens are supremely sharp, even when the lens is used at its widest aperture setting. Meanwhile autofocus is so beautifully fast and accurate that few people will be tempted to reach for manual control anyway. The Sony FE 50mm f1.8 Lens is designed for photographers and videographers looking for a fast, full-frame prime. However, you should expect to see both noticeable corner-softness and vignetting when shooting at its widest aperture. While bokeh isn’t the most important of considerations on a wide angle lens, in this case the faster maximum aperture means that a degree of background blur is certainly achievable. And if head-spinning, stomach-churning, horizon-bending perspective is your thing, don’t let anyone tell you otherwise – least of all some random stranger on the internet. There are dozens of lenses from third-party manufacturers, there are dozens more dedicated Sony lenses, and there are tons of variations between zoom lenses, macro lenses, lenses better suited to astrophotography, portrait lenses, and the list goes on. Sony FE 55mm f/1.8 ZA Zeiss Sonnar T* Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.5 m Filter Diameter: 49 mm Size: 64.4 mm (diameter) x 70.5 mm (length) Weight: Approx. We have previously discussed some of the best Sony full-frame lenses in the zoom category. What’s more, there’s very little in the way of comatic aberration, so when combined with it’s very fast maximum aperture, it’s obvious that this is one of the best lenses currently available for astrophotography. It wasn’t long ago that people were complaining there wasn’t a mid-range f/2.8 zoom for Sony. Sony FE 100-400mm f/4.5-5.6 GM OSS Lens (B&H, Amazon). Best Lens For Sony a7iii: Final Thoughts. Meaning that it will never offer quite the same degree of manual control as a lens that focuses by truly mechanical means. To be sure, ultra-wide angle lenses have their legitimate uses, and for certain professionals working in specialized areas of photography (real estate being just one obvious example) they are essential tools. Objectively the G-Master might be the better lens, but certainly not over two-times better! Overall, this is truly a lovely lens. Consequently photographers working in genres ranging from documentary to portraiture and from astrophotography to sports – and a whole lot else besides – tend to purchase the fastest lenses they can afford. Sony FE 24mm f/1.4 GM ($1,398): Highly recommended!Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited … With that said, though, the Batis’s bokeh really isn’t anything to get too excited about anyway. OK, the above advice is meant somewhat tongue-in-cheek. I think I would have to call out the Sony 20mm f/1.8 since it is looking like an amazing performer. The last lens is a big one. Ultimately then, the only reason you might want to consider other options is purely because of budget. A Little Lens Background . In all of these cases a fast maximum aperture will be essential. For some of us here at Phillipreeve.net it’s a length we adore, and have more 50s than any other focal length. Sony FE 90mm f/2.8 Macro G OSS ($1,098): Perfect macro lens for Sony a7RIII! This is because the shallow depth-of-field produced by a fast aperture setting is entirely inappropriate for shooting landscapes. But deliver it does. Which one is right for you, only you can decided. Often shoot fast-moving subjects and don’t want to see any motion-blur in your images? Since the Sony a7iii is a touch screen, the performance quality can get degraded rather quickly if the proper protection is not used on it. As it is though, few lenses for the Sony a7III offer image stabilization anyway though – as it is available in-camera – so it’s not really an issue that readers need to concern themselves with. For those who can afford it, though, the 24mm f/1.4 GM is worth every cent of its asking price – and then some. I’m a travel photographer from Paris, France. This is because the wider the focal length, the more the image is likely to be in focus from foreground to background. Sony’s a7III offers pro-level features and stunning image quality for not much more than the cost of a consumer camera. You can use Full-Frame FE-mount lenses on APS-C Sony E-Mount cameras, and this will give you a 1.5x crop of the lens. Which is perfect, because with a long reach of 300mm, this lens is perfectly suited to patiently waiting for wildlife to appear in the elements. Let’s start this review off with one of the sharpest lenses ever produced… all the way back in 2013! And the fact is that high quality wide angles are never the cheapest subcategory of any lens range. A third! For those seeking an ultra-wide angle lens for the a7III, the 12-24mm offers both a wider and cheaper option than the pricey 16-35mm GM. Indeed, while the 24mm GM doesn’t boast the extreme angle of view of, say, the Batis 18mm (below), what you gain instead is an extra stop of light-gathering abilities; highly appealing for both night-sky shooters and reportage photographers alike. If you can afford it, this lens is one of the best for the range if you need something for a Sony a7III. Indeed, the umbrella term “wide angle” actually covers rather a broad range of focal lengths; from the decidedly reserved 35mm lens through to a full-on fish-eye that will make anything it’s pointed at look like a poster for a Fillmore “love-in” circa 1967. In any case, stabilization isn’t really necessary on such a short focal length. Meanwhile the f/1.4 aperture also makes this a versatile tool for documentary work in low light. So what are the best camera filters for DSLRs and mirrorless cameras? Conversely, a more moderate wide angle lens will still permit you to include a broad swathe of scene in the frame, but without either making the subject appear tiny or producing a heavily distorted perspective. Still. As we’ve just seen though, wide angle lenses tend to struggle to blur the background at all. The Sony A7iii has been my best photography purchase this year and I’ve captured some amazing moments since I’ve got it. Instead, if you are to make a serious evaluation of a lens’s optical performance, you will need to see examples shot at a variety of different aperture settings, and to check for fall-off in resolution towards the edges of the frame – particularly at faster apertures. One of the competitors is Tamron with their 28-75mm f/2.8, which happens to be one of the smaller and lighter picks. Indeed, when the 24mm GM was released, many were skeptical that a 24mm at this price point – and of such discrete dimensions – could possibly deliver the pro-level image quality Sony promised. But armed with the information provided in this guide, you should have no problem choosing the best wide angle lens for use with your a7III, Your email address will not be published. Multicoated and featuring 12 elements in 8 groups, the 35mm f/1.4’s optical performance is nothing less than superb. Sony FE 90mm f/2.8 Macro G OSS Lens (B&H, Amazon). Nonetheless, anyone who’s spent any amount of time with any of the products in this line will be well aware that Zeiss doesn’t just go around handing out licenses to any fly-by-night operation. Indeed it’s a truly great lens on every front. For these combined reasons, the best modern cameras for landscapes are the Nikon D850, Sony A7riii (buy from Amazon here) and Sony A7iii (Buy from Amazon here). Top 9 Lenses for Sony a7III. Indeed, with an ultra-wide-angle, even just getting the background out of focus at all will be challenge enough. Or rather, images that are nicely sharp in the center of the frame. It works for landscapes, architecture, walking-around, the occasional portrait, and plenty more. However, many who earn their living from photography – and indeed many who do not – look upon such lenses as somewhat gimmicky. The Batis 18mm’s primary appeal simply lies in the incredible image quality and detail it is capable of producing. Sony a7III Full Frame Mirrorless Interchangeable Lens Camera with 28-70mm Lens + 64GB Memory & Flash a7III Accessory Bundle 4.2 out of 5 stars 23 $2,299.00 $ 2,299 . Now You Can Buy The Revolutionary Scorpion LED Light in the US (Buy 4 Get 2 Extra FREE Lights), Here’s How to Pull Off This Insanely Cool 360-Degree Roll Angle Shot with the DJI Ronin-S, How to Get the Most Out of Your Panasonic GH5 When Shooting in Low Light, URSA Mini Pro 12K Gets Better Time Remaining Readout, Sony FE 35mm F1.4 G Master Lens Announced, How to Keep a Moving Object Centered in Premiere Pro 2020, Sony Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens (, Sony FE 100-400mm f/4.5-5.6 GM OSS Lens (. For others – who may already own, say, the 28-70mm kit lens and can live without the extra 1mm of reach at the wider end of the scale – this will be of no concern whatsoever. This being the case, bokeh is a lot less important when considering purchasing a wide angle lens than it would be with, say, a “nifty-fifty” or a portrait lens. That being the case, zooming to a different focal length is not a valid alternative to simply moving closer or further away from the subject. 1. However, when it comes to wide angle lenses, noob photographers and chronic GAS (gear acquisition syndrom) sufferers often equate wider with better. And that’s if a comparable option is available at all. Despite the wide angle of view, nice enough bokeh can be achieved when shooting up close; even if this tends to be a little on the busy side. One for my 50mm and 28-70mm lens for my Sony a7iii. Clearly then, if you intend to shoot almost exclusively at f-stops of f/11 or slower, spending extra money on a lens that goes to f/1.4 would make no sense at all. More important than this, though, is that a prime lens will generally offer much better optics and faster light-gathering abilities for the money than will a comparable zoom lens. However, it’s actually a lot more competitively priced than you might expect of a lens this good. Yet many inexperienced photographers use their zooms in precisely this manner. Sony’s full-frame mirrorless system has now been around long enough that there are too many lenses for any one person to be able to test out them all (unless that’s your job). In short, if you can stretch to the asking price, there’s really very little reason not to go with the 16.35mm GM. But as your Sony a7III comes with stabilization all of its own, really this is a bit of a non-problem. We’ve included a mix of Sony lenses with third-party lenses from Sigma and Tamron. For those seeking an ultra-wide angle lens for the a7III, the 12-24mm offers both a wider and cheaper option than the pricey 16-35mm GM. All in all, this is a fantastic wide angle lens that offers stunning resolution and image quality, lovely bokeh, and performs beautifully in low light. Peter Lindgren is here to give us a peek into his camera bag and the lenses he uses to get the most out of his Sony A7III. For those who frequently shoot macro photography and close-up portraits, the Sony 90mm f/2.8 is the very right lens: excellent sharpness, depth of field, and color rendition. While an extra stop or two of aperture opening will go a long way towards compensating for this effect, be aware that even the fastest wide angle lens is never going to be able match the extremely shallow depth-of-field typically produced by a telephoto lens at even a relatively slow aperture setting. Sony may lack some telephoto sports lenses, but a landscape shooter is flush with modern high quality options from Sony. If you’ve got room in your budget for a single lens after purchasing the A7III, Tamron’s 28-75mm F/2.8 Di III RXD is the one to get. The Sony 16-35mm f/4 has always been a solid performer. In itself, though, this aperture is also something of a selling point; as most lenses of such a wide focal length tend not possess overly impressive light-gathering abilities. For some photographers that will be the deal breaker. But the wider the focal length, the less the lens will amplify vibrations. The only exceptions being moderate wide angle lenses – such as a 28 or 35mm lens – with very fast maximum apertures. Autofocus works brilliantly (and silently), too. With their highly distorted and dominant perspective, it’s easy to see why; often the resulting photo becomes more about the lens than about either the subject or the skill of the photographer. Stopping down even slightly fixes the corner problem though, and center sharpness becomes better still. It’s tack sharp, even wide open, has a unique manual focus mechanism that makes everything a bit more precise, and it’ll obviously reach that coveted 1:1 magnification ratio. Seen in this light, Tamron’s offering is a very serious contender for the title of best wide angle lens for the a7III – at any price point. Lenses for Sony a7III Comparison Table. K&F Concept 62mm Fader ND Filter Without Cross, Neutral Density Variable Filter ND2 to ND32 for Camera Lens NO X Spot,Nanotec,Ultra-Slim,Weather-Sealed 7/10 We have selected this product as being #7 in Best Nd Filter Sony A7iii of 2020 Relatively fast maximum aperture of f/2.8. Lensguide.io is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. As with any creative pursuit, though, photography is a highly personal endeavor. The FE 28mm displays excellent center sharpness at f/2, but with some loss of clarity at the edges. The extra reach comes with a full stop down coming in f/5.6, but color reproduction is great, as is contrast – and bokeh is pleasant. Perhaps the king of low-budget, quality glass is Samyang, who lenses are also branded as Rokinon. In reality though, the best wide angle lens for the Sony a7III is simply the right wide angle lens for your photography. - … And while the 12-24mm follows the bulk of Sony’s lenses in being of the “focus-by-wire” variety, manual focus action is nonetheless satisfying and precise. Do you have any lenses you would recommend? It is a super sharp, has a surprisingly close minimum focus distance that adds to its versatility, and handles very well. When it comes down to it then, the only major difference between the Tamron and the G-Master is that the latter offers a wider zoom range. Everything got even better when the started making autofocus lenses for Sony E. One of the best is the classic 85mm f/1.4, which costs a third of that of the Sony G Master. Perhaps even a necessity. 5. The best performers are the Sony FE Carl Zeiss Sonnar T* 55mm F1.8 ZA and the Sony FE 85mm F1.4 GM, which both scored an excellent 49 points. Additionally, Sony is not lacking for landscape lenses. ... GOBE ND Filters - Sony a7iii Michelle Martinez. The 16-35mm’s advantages don’t end with low light capabilities, however; in addition to a faster maximum aperture, you also get both superior optics and sturdier build, not to mention the ability to use filters (something that’s notably missing from the 12-24mm). Sony A7III is a full frame mirrorless interchangeable-lens camera with 24.2 megapixels. However, some degree of separation is achievable here when shooting up close and wide open. Where the a7III can become more costly, however, is in purchasing suitable lenses. The lens is rather minimal in design, boasting a barrel that is all but featureless. That’s right, the 55mm f/1.8 is getting long in the tooth… Be warned, though, that there is one detail that might dissuade a few landscape photographers; the 12-24mm’s (unremovable) lens hood makes it impossible to use the lens with filters of any description. And by the time you get to wide angle lenses such as those we look at here, image stabilization will be of only limited benefit. Especially if you can buy a perfectly good lens with a maximum aperture of, say, f/4 or f/5.6 for a fraction of the price – as indeed is often the case. The widest lens currently available for the Sony a7III, the 12-24mm is very sharp across the frame from f/5.6 onward. Neewer 55mm Lens and Filter Accessory Kit for Nikon AF-P DX 18-55mm, A7III A7（28-70mm） A6000（16-70mm: 0.43X Wide Angle Lens, 2.2XTelephoto Lenses, UV/CPL/FLD/Filter and Macro Filter Set,etc 4.2 out of 5 stars 339 Just because this is a guide to wide angle lenses doesn’t mean that the matter of focal length can just be taken for granted. At least not where either spec or performance are concerned. 281 g Click here for the latest price. What can vary greatly is the degree to which sharpness deteriorates as you move away from a lens’s peak aperture setting. Another option is the S&S correction lens which improves the corners by about 2 stops.they are made in 77mm and 82mm size and assist with the lens focusing on the virtual image in the corners. But with a wide array of standard lenses on offer for the a7III from both Sony and third party manufacturers, it can be difficult to know which 50mm will be best suited to your photographic needs. However, other lenses did very well, too, making them ideal companions for the A7R IV. Of course these Sony “Zeiss” lenses are not actually made in Germany by Zeiss, but instead under-license in Southeast Asia by Sony. For most other photographers though, a prime lens will usually be the better option. Of course, the 12-24mm also lacks the G-Master’s faster aperture and pro-level spec. All lenses tend to perform their best in terms of sharpness once stopped down a few clicks from maximum aperture. For some photographers, this extra investment will be money well-spent. Just expect to pay handsomely for it. Most modern lenses – and certainly all those available for the Sony a7III – produce sharp images. eval(ez_write_tag([[300,250],'4kshooters_net-box-3','ezslot_1',143,'0','0']));Sony’s full-frame mirrorless system has now been around long enough that there are too many lenses for any one person to be able to test out them all (unless that’s your job). ; if you’ve got the self-control, it needn’t be a problem at all. It will appeal to everyone from landscape and interiors photographers to those shooting action sports and adventure photography. Need to shoot handheld in low-lighting conditions? Our next choice is the best lens for the Sony A7iii, and as much as we hate to choose yet another Sony product, we would recommend the Sony SEL50F14Z Planar T* FE 50mm f/1.4 ZA Lens. eval(ez_write_tag([[250,250],'4kshooters_net-banner-1','ezslot_2',145,'0','0'])); 3. It’s hard to beat the 100-400mm f/4.5-5.6 for its zoom range and optical quality. It’s the most responsive and versatile lens on review, and its price is reasonable to boot. Your email address will not be published. With that said, zooms are of course very handy. However, it needs a high-quality lens to do so. After a few months of really testing out the camera, I’ve come up with a list of the absolute best Sony A7iii accessories that have helped me accomplish shoots in a reliable and professional manner. For others, though, and have more 50s than any other focal.. Also lighter and more compact than the GM should think twice before putting down their money that distract the... 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